Locating El Greco in late sixteenth-century Rome : art and learning, rivalry and patronage

Goniotaki, Ioanna (2017) Locating El Greco in late sixteenth-century Rome : art and learning, rivalry and patronage. Doctoral thesis, Birkbeck, University of London.

[img]
Preview
PDF
Ioanna Goniotaki - final Theses (without illustrations).pdf - Public Version

Download (1MB) | Preview
Print Copy Information: http://vufind.lib.bbk.ac.uk/vufind/Record/568730

Abstract

Much has been written about the artistic output of Domenicos Theotocopoulos during his time in Spain, but few scholars have examined his works in Venice and even fewer have looked at the years he spent in Rome. This may be in part attributed to the lack of firm documentary evidence regarding his activities there and to the small corpus of works that survive from his Italian period, many of which are furthermore controversial. The present study focuses on Domenicos’ Roman years and questions the traditional notion that he was a spiritual painter who served the principles of the Counter Reformation. To support such a view I have looked critically at the Counter Reformation, which I consider more as an amalgam of diverse and competitive institutions and less as an austere movement that strangled the freedom of artistic expression. I contend, moreover, that Domenicos’ acquaintance with Cardinal Alessandro Farnese’s librarian, Fulvio Orsini, was seminal for the artist, not only because it brought him into closer contact with Rome’s most refined circles, but principally because it helped Domenicos to assume the persona of ‘pictor doctus’, the learned artist, following the example of another of Fulvio’s friends, Pirro Ligorio. The elitist art that resulted from Domenicos’ collaboration with Orsini, represented, for example, in his paintings of Boy Lighting a Candle and the Healing of the Blind, was partly responsible for the Greek painter’s failure to engage the interest of Cardinal Farnese, in whose palace he stayed for two years, 1570- 1572. But Domenicos was determined to establish a career in Rome, as his registration in the painters’ guild, the Accademia di San Luca, in September of 1572, confirms. Although he ultimately failed in this respect, the time he spent in the city was decisive for his understanding of both ancient and modern art, and played a fundamental role in his later artistic development in Spain.

Item Type: Thesis (Doctoral)
Additional Information: Online version is un-illustrated.
Copyright Holders: The copyright of this thesis rests with the author, who asserts his/her right to be known as such according to the Copyright Designs and Patents Act 1988. No dealing with the thesis contrary to the copyright or moral rights of the author is permitted.
School/Department: School of Arts > History of Art & Screen Media
Depositing User: ORBIT Editor
Date Deposited: 23 Aug 2017 13:43
Last Modified: 23 Aug 2017 13:43
URI: http://bbktheses.da.ulcc.ac.uk/id/eprint/280

Actions (ORBIT staff only)
View Item View Item